Frivolous Universe

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As Jerms covered this week in the Mitchell + Palmer blog, I am now a full-on bike commuter. This creates a fashion challenge.  Because I gots to look fierce, especially in the ultra-image-conscious ad world, but I also want to be comfortable on my vintage Schwinn (Holla, Boise Bike Project!). In pursuit of this goal, I find my work-fashion moving more and more towards simplicity – few or no accessories, monochromatic color palettes, durable fabrics, and relaxed fit.

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This outfit is inspired by our very own Mad Mitchell, who rocks denim-on-denim like you wouldn’t believe. (Although, I’m pretty sure he wouldn’t be caught dead in ’90s jeans.) All pieces were purchased at Deseret Industries in Twin Falls last weekend.

Coldwater Creek Denim shirt – Vintage Levis (cut-off by me) – Cole Haan Leather Loafers

Alrighty, now back to the grind…

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All winter I ruminated on the past like a dog rolling over in something dead.

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Tentative mountains springs teach us that there is a boundary zone between the old life and the new. Snow clings on peaks. Lupine blossoms in the sage when it’s still cold enough for fox fur.

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In a sage forest the witch casts her spell.

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That some people will die before we can see where they came from.

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April in Hailey, Idaho. You can rock in the red chair on the front porch of the house Ezra Pound was born in.

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The Parallel is an imaginary line, invoked by signage. On one side we are closer to Helsinki, on the other side, Kuala Lumpur.

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In May we test the mountain roads. They are almost passable.

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And spring arrives like a Cymbalta ad, full of hyperbolic promises.

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turquoise sweatshirt: James Perse; teal green jeans: Russian Market, Phnom Penh; wool hat: Calvin Klein; Thai silk top: vintage; turtle amulet: Amulet Market, Bangkok; black cargo pants: Paige; black coat: Made in the Ukraine; Spanish riding boots: Frye; fox fur collared coat: charity shop, London

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Screen shot from lat34north.com:

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Photography: Ned Evett

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When I lived in Washington D.C., back in ’07, I used to sit on my orange and white duvet in the steadily-being-gentrified neighborhood of Brookland and listen to Nada Surf’s song Always Love. Yes, the name betrays an unforgivable sentimentality, but the lyrics had a hook that I couldn’t get over:
“I’ve been held back by something.”

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I listened to the song so many times, that, today, as I listen to it at my desk, I am transported to the city that changed my mind. I smell the inside of my frozen nose in the brutal, wet winter. I hear the sleepy, monotone chants in the Catholic cathedral on the Sunday morning of my last church service ever.

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I’ve been held back by something. I laboriously copied it in the front cover of each Moleskine notebook I’ve filled with my thoughts over the last six years. I saw it every time hot tears gave way to blue ink and were mollified.

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I’m twenty-seven years old. Which, as it turns out, is not too old to start exploring the depth of my childhood fears of being rejected, of being alone – the fear that the real me isn’t worth loving.

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I have loved. At least, I think I have. The English language plays a tremendous trick on us, throwing out these insane generalities like “love” and “freedom” and “goodness” without qualifying them with specifics. What factors contribute to love? How can you tell when you’re in love, after all?

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Granted, I have never understood the burning blackness, the insanity that consumes the consciousness at first blush of true love. But I have always been a sensible person. It was no surprise that I would be immune to the romantic possession of the soul that dominates our popular mythology.

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Romance has always seemed “dramatic” to me.

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In my free time (and it’s all free time), I like to memorize Leonard Cohen poems over green tea at local coffee shops. One that I have clung to is called The Drunk is Gender-Free.

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I’m angry with the angel who pinched me on the thigh.
And made me fall in love with every woman passing by.

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I know they are your sisters. Your daughters mothers wives.
If I have left a woman out then I apologize.

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It’s fun to run to heaven when you’re off the beaten track.
The Lord is such a monkey when you’ve got him on your back.

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The Lord is such a monkey. He’s such a woman too.
Such a place of nothing. Such a face of you.

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The Lord is such a woman. And so am I. Whatever am I going to do with myself?

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I took all but one of these shots in New York City, Chicago, Eagle, and Boise, Idaho. Edited by me.

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